Happy Birthday Jean Michel Basquiat. Today would have been his 50th birthday. 

[December 22, 1960-August 12, 1988]

The video is an excerpt from Downtown 81 also known as the New York Beat Movie. The score is by Basquiat’s band Gray. 

“There is a poster of Jimi Hendrix with wires tumbling out of his head snaking toward a flotilla of charged inputs. Basquiat’s work evokes a similar image of overloaded sensorium counterattacking the world via feedback loop. In it we find a maximalist consciousnessness that knows how to hit it and quit it like a cartoonist, while at the same time one that eschews maximalism not in favor of minimalism, but in favor of ellpsis, erasure, obsurantism, arcana-an art that finds it’s edge in describing the dazed state of semi-consciousness…

Greg Tate: Black Like B, 1992

Wangechi Mutu: Hunt Bury Flee

Humming. 2010. Mixed Media Ink, Paint, Collage on Mylar. 

Before Punk Came Funk. 2010. Mixed Media Ink, Paint, Collage on Mylar. 

Kenyan born artist Wangechi Mutu, Artist of the Year, discussed the work in her latest exhibition, Hunt Bury Flee, Saturday afternoon at the Gladstone Gallery. In the talk, she spoke about her artistic inspirations and process as well as the complex cultural, political and social subtexts of her highly stylized and funkadelic collage pieces. She spoke of art as a space to re-conceptualize identity. She uses collage to cut, rearrange and remix as a vehicle for subjectivity. Once saying that “females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body”, conceptually and aesthetically, Mutu focuses on the black women’s body as sight of investigation. In her work she addresses western misperceptions and mythology about the African continent and people, beauty constructs, internalized turmoil, disjointed African identity, gender, sexuality and sexual politics, colonial history and futurism. 

She rocks!

Kathleen Hanna at “Our Hit Parade: The Top Ten Songs of the 90s” at Joe’s Pub in NYC, December 15, 2010 performing Rebel Girl and Smells Like Teen Spirit while telling a story about her and her late friend, Kurt Cobain. 

I’m a sucker for Kathleen Hanna!

[Flash 9 is required to listen to audio.]

“She’s walking through the clouds                                                with a circus mind that’s running round                                              butterflies and zebras and moonbeams and fairytales                        that’s all she ever thinks about riding with the wind….”

Hendrix

Vintage picture of Prince. 

my lover. (full stop)

Vintage picture of Prince. 

my lover. (full stop)

(via negritaschronicles)

The Tea Maker by Yoko Ono

“Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life.”

An excerpt from “The Book of Tea” by Kazuko Okakura

On Tuesday, December 7, a touching tribute by Yoko Ono to her late husband John Lennon appeared in the New York Times titled simply “The Tea Maker” about her intimate moments and connection with John, this one over tea. 

JOHN and I are in our Dakota kitchen in the middle of the night. Three cats — Sasha, Micha and Charo — are looking up at John, who is making tea for us two.

Sasha is all white, Micha is all black. They are both gorgeous, classy Persian cats. Charo, on the other hand, is a mutt. John used to have a special love for Charo. “You’ve got a funny face, Charo!” he would say, and pat her.

“Yoko, Yoko, you’re supposed to first put the tea bags in, and then the hot water.” John took the role of the tea maker, for being English. So I gave up doing it.

It was nice to be up in the middle of the night, when there was no sound in the house, and sip the tea John would make. One night, however, John said: “I was talking to Aunt Mimi this afternoon and she says you are supposed to put the hot water in first. Then the tea bag. I could swear she taught me to put the tea bag in first, but …”

“So all this time, we were doing it wrong?”

“Yeah …”

We both cracked up. That was in 1980. Neither of us knew that it was to be the last year of our life together.

This would have been the 70th birthday year for John if only he was here. But people are not questioning if he is here or not. They just love him and are keeping him alive with their love. I’ve received notes from people in all corners of the world letting me know that they were celebrating this year to thank John for having given us so much in his 40 short years on earth.

The most important gift we received from him was not words, but deeds. He believed in Truth, and had dared to speak up. We all knew that he upset certain powerful people with it. But that was John. He couldn’t have been any other way. If he were here now, I think he would still be shouting the truth. Without the truth, there would be no way to achieve world peace.

On this day, the day he was assassinated, what I remember is the night we both cracked up drinking tea.

They say teenagers laugh at the drop of a hat. Nowadays I see many teenagers sad and angry with each other. John and I were hardly teenagers. But my memory of us is that we were a couple who laughed.

This controversial video art piece “Fire in my Belly” (1987) by the late artist David Wojnarowicz was a part of the exhibit “Hide/Seek: Difference and Desire in American Portraiture” at the National Portrait Gallery at the Smithsonian. However it was removed this week over controversy over the content. Wojnarowicz who died of AIDS in 1992 and lost close friends and fellow artists to the disease created the video with intention of depicting the suffering of an AIDS victim. Ironically, it was removed on World AIDS Day. 

 Warning: The content is graphic and can be disturbing to some people. 

Calling sex by its name thereafter [the 17th c.] became more difficult and more costly. As if in order to gain mastery of it in reality, it had first been necessary to subjugate it at the level of language, control its free circulation in speech, expunge it from the things that were said, and extinguish the words that rendered it too visibly present.

Michel Foucault on the language of sex, from The History of Sexuality. (via Just Jo)

Odili Donald Odita: Body & Space

  

Last Thursday, I attended the opening for Nigerian born, Philly based artist Odili Donald Odita at the Jack Shainman Gallery in Chelsea. As an artist, I love what goes on in the minds of other visual artists hence I was fascinated with what he had to say about his multi-colored abstract geometric artwork. 

He writes:

 

 “The ideas behind Body & Space came to me in 1999 in the middle of my own aesthetic investigation on the term, ‘Black.’ Since that time, I have wanted to move beyond what I found to be the abstract nature of black, and find a space that could be more real, and more specific in the many implications and directions created through this term. I eventually found my way through Color. For myself, color is the way to become specific about black, i.e., black as skin, as a social construct, and as real experience.

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furthermucker:

A Day in the Life of Lenny Kravitz in Paris